They
stole his money, turned his woman against him, and left him for dead.
Now tough-guy poster child Porter (the appropriately world-weary Mel
Gibson) is back, bad to the bone, and a mite ticked off at the
Organization that done him wrong. Mucho macho carnage ensues.
It took some major guts for first-time director (and
Oscar winner for the script of L.A. Confidential ) Brian
Helgeland to take a shot at adapting Donald
Westlake's pseudonymous, legendarily gritty novel The
Hunter for the screen (especially considering that director John
Boorman and irresistible force Lee Marvin
had already produced a fairly definitive rendering of the source material
with their enigmatic 1967 masterpiece Point
Blank ). Nonetheless this novice auteur managed to pull out a winner.
Put simply, this compulsively watchable piece of scuzz-art hits like a
well-placed Magnum round, with a wonderful '70s vibe and an awesome rogues'
gallery of baddies (including James Coburn,
Kris Kristofferson, William
Devane, and the riotously sadistic Lucy
Liu) for the charmingly battered star to play off of--and ultimately
wade through.
Although this enjoyably seedy roll through the gutter
of Crime Alley does occasionally threaten to wander off its downturned
track (hands-on producer Gibson reportedly stepped in at the last moment
to make his antihero a little more heroic), the final result is an admirably
pulpy, distinctly dirty slice of neo-noir liberally marinated in blood,
blue smoke, and bourbon. This particular payback's one tough little SOB,
indeed. --Andrew Wright --